Tuesday, June 22, 2021

WHAT’S THE DEAL WITH ANTARCTICA? US Military’s ‘Operation Deep Freeze’ in Antarctica Continues

0

Operation Deep Freeze: Vital mission in Antarctica Continues

from Pacom:

Operation Deep Freeze, the Department of Defense’s logistical support to the National Science Foundation’s U.S. Antarctic Program (USAP), kicked off with the Antarctic Season Opening Festival in Christchurch, New Zealand, Sept. 28, 2017.

The festival will include interactive walking tours of Antarctic landmarks around the city, exhibitions showcasing artwork and stories of the early Antarctic explorers and public talks by representatives of the international Antarctic community in Christchurch, one of the five international gateway cities to Antarctica. The festival events will run from the end of September through the first two weeks of October.

These festivities provide an opportunity to celebrate the Antarctic programs based in the city as well as the international relationships strengthened through shared support for a stable and secure Pacific region and commitment to research and scientific programs conducted for the betterment of mankind.

This year’s program includes a public Air Day at the Christchurch International Airport with displays of multiple airframes from Australia, New Zealand and USAP partners Saturday, October 7th. Christchurch International Airport is the staging point for deployments to McMurdo Station, Antarctica, a key research and operations facility for the USAP.

The traditional ‘South to Antarctica’ church service will take place at the Transitional Cathedral, followed by the New Zealand Antarctic Society’s wreath-laying ceremony at the Statue of Sir Robert Falcon Scott Sunday, October 8th.

Members of the New Zealand Antarctic Program, Committee of Managers of National Antarctic Programs, Canterbury University, Christchurch Cathedral dignitaries, U.S. Ambassadors, Royal New Zealand Air Force, Joint Task Force-Support Forces Antarctica and U.S. military partners are invited to the ceremonies.

The U.S. military is uniquely equipped and trained to operate in Antarctica’s austere environment, where the USAP’s research is conducted, and has therefore provided logistical support to the USAP since 1955.

Led by Pacific Air Forces, the Joint Task Force-Support Forces Antarctica (JTF-SFA) provides USAP’s military support, which comprises of active duty, National Guard and Reserve U.S. Air Force, Coast Guard, Navy and Army personnel.

JTF-SFA coordinates strategic inter-theater airlift, tactical deep field support, aeromedical evacuation support, search and rescue response, sealift, seaport access, bulk fuel supply, port cargo handling and transportation requirements.

“Our total force and joint team proudly continues the tradition of U.S. military support to the USAP and demonstrates the United States’ commitment to a stable Pacific region,” said U.S. Air Force Col. Todd Grimsley, JTF-SFA deputy commander.

Airlift for Operation Deep Freeze involves active duty and Reserve C-17 Globemaster III support from Joint Base Lewis-McChord, Wa., LC-130 Hercules support from the New York Air National Guard, sealift support from the U.S. Coast Guard and Military Sealift Command, engineering and aviation services from U.S. Navy Space and Naval Warfare Systems Command, cargo handling from the U.S. Navy, and public health and veterinary services support from the U.S. Army.

HOLLYWOOD PEDOGATE: Fourth Woman Accuses Director Roman Polanski Of Child Rape

0

by John Nolte, Breitbart:

The New York Times reports that Renate Langer, a 61-year-old former actress, has just filed a complaint with the Swiss police accusing fugitive-child rapist Roman Polanski of raping her on two occasions when she was a child.

She says that the first time occurred in 1972 when she was just 15. After he expressed an interest in her for a film, Langer says she was visiting the director at his home in Gstaad when the sexual assault happened. The following month, with the promise of a movie role and an apology, she claims he lured her into another rape.

Langer stands as the 84 year-old’s fourth accuser. In 2010, actress Charlotte Lewis accused Polanski of sexually assaulting her as a 16-year-old. Back in August, an unidentified woman said that Polanski “sexually victimized” her when she was 16.

Polanski’s most famous underage accuser is Samantha Geimer, who was only 13 when Polanski raped her. In 1977, Polanski admitted to his guilt in that unspeakable crime but fled American jurisdiction before he could be sentenced. He has lived in exile ever since.

French-Polish film director Roman Polanski arrives to attend a press conference at the Bonarowski Palace Hotel on October 30, 2015 in Krakow, Poland. The District Court in Krakow rejected a US request for the Oscar award winning director to be extradited. (Adam Nurkiewicz/Getty Images)

Roman Polanski remains the Great White Hypocrisy of America’s oh-so woke, leftwing feminists. An Oscar-winner who also happens to be a fugitive child rapist, he is also a cause célèbre among Hollywood’s beautiful people. But in this enlightened era of Every Accuser Must Be Believed, not for the reasons you might think.

You see, the sophisticated left wants us to forgive and forget Roman’s crimes — kind of like the way they want us to forgive and forget the myriad of accusations against former President Bill Clinton.

Read More @ Breitbart.com:

Netflix’s New Show “Big Mouth” Pushes the Sexualization of Children

0

from Vigilant Citizen:

The trailer promoting the new Netflix animated series Big Mouth is a cringy experience and highlights a disturbing agenda in mass media: The sexualization of children. Welcome to media madness.

The series features voices from top names in comedy such as John Mulaney, Jordan Peele, Nick Kroll, Maya Rudolph and Fred Armisen. Despite this impressive (and costly) talent roster, the show will most likely be awful and horrifying. Don’t believe me? This trailer should be enough to convince you. The fact that watching this near 3-minutes long trailer actually feels like 30 minutes is not a good sign.

But here it is. If you’re up for it. You don’t have to watch it.

Here are some lowlights from that trailer.

A horned “hormone monster” (voiced by a grown man) appears in the bedroom of two prepubescent boys and causes one of them to ejaculate.

A father creepily tells his boy that he could “kiss a penis very lightly”.

This prebuscent girl talks to her vagina.

The trailer ends with the monster jokingly saying that Netflix insisted on having this messed up stuff on the series.  There is actually truth to that.

The Agenda Behind Netflix

It only took a few years for Netflix to become one of the world’s largest content creators. This year alone, Netflix is projected to spend over $6 billion dollars in the creation of content.

Of course, with great budget and exposure comes great agenda pushing. A great number of recent Netflix productions are heavily tainted with strong social and political messages – and straight up propaganda.

For instance, the Netflix series Bill Nye Saves the World drew severe criticism for bending actual science to cater to specific agenda (read my article about the episode “The Sexual Spectrum” to understand how obvious this was).

For some bizarre, disturbing and upsetting reason, the sexualization of children is also part of that agenda. Slowly but surely, new content keeps pushing the envelope, slightly going too far, chipping away at moral decency to make the sexuality of children fair game.

Why? Because Hollywood and the world elite are full of children lovers and they want to normalize their derangement.

Read More @ VigilantCitizen.com

Film director, convicted paedophile Victor Salva, featured jokes about child abuse in new Jeepers Creepers film

0

He was sentenced to three years in prison for abusing the 12-year-old child star of his debut film

by Jacob Stolworthy, Independent:

It has emerged that a director once convicted of child molestation in 1988 incorporated jokes about child sex abuse into his new film.

Victor Salva – director of the Jeepers Creepers franchise – was sentenced to three years in prison in 1988 for abusing the 12-year-old child star of his film Clownhouse at the age of 30 as well as filming the molestation and possession of child pornography. He served just 15 months.

It’s now emerged that new film Jeepers Creepers 3 originally featured a scene hinting at the sexual abuse between a 13-year-old runaway, played by 21-year-old actress Gabrielle Haugh, and her stepfather through an exchange which sees one character sympathise with her molester.

“Can you blame the step-dad, though?” one character can be heard saying. “I mean, look at her. The heart wants what it wants, am I right?”

Critics have pointed out the disturbing exchange having witnessed the scene in advanced screener copies, however, the scene has been subsequently removed from the public version.

Speaking about his abuse, actor Nathan Forrest Winters said of Salva: “He spent the better part of a year grooming me and my parents. Developing the trust. It was very calculated, and a long process, as it is with most paedophiles.”

Winters, who is currently working on a documentary about his molestation and paedophilia in Hollywood, said: “The film will show my journey from victim to survivor. It is my belief that we as a whole in this country have been too afraid to face such an unspeakable topic and continue to turn a blind eye, which has allowed these predators of our children to go unchecked for too long.”

Read More @ Independent.co.uk

The Health Ranger explains the origins of EVIL, why collectivism contradicts health freedom, and the simple answer to all politics

by Mike Adams, NaturalNews:

Chiming in on the most relevant philosophical issues of our day, I’ve recently posted three podcasts that are well worth a listen. Departing from current events, each of these philosophical podcasts covers a crucial sector of understanding for free-minded people who wish to prosper in a dangerous world (where your freedoms are under constant assault).

Hear more podcasts each day at the Health Ranger Report website.

Where does EVIL really come from?

This podcasts reveals the root cause of evil in our world and how it all has a single, common source. Listen to this fascinating podcast to hear the full explanation about consciousness, the “disconnect” and the root of all evil.

Read More @ naturalnews.com

PRINCE PHILIP’S UNCLE CLAIMS AN ALIEN SPACESHIP LANDED ON HIS ESTATE (DRAWINGS INCLUDED)

by Arjun Walia, Collective Evolution:

You might be surprised to learn that Prince Philip, the Duke of Edinburgh and husband of the queen of England, is fascinated by the UFO phenomenon. It’s not surprising to me, however, because his family is most likely comprised of people involved with Deep State institutions and the Black Budget programs (Special Access Programs) that these oversee.

Although the group that maintains all oversight on the extraterrestrial phenomenon remains hidden, if we follow the money, the royal families of the world is where the line seems to go.

As I’ve furthered my research into the phenomenon over the years, what’s become even more evident is that, whoever these people are, they’re most likely the Bilderberg type or beyond, and they too are curious about what exactly is going — and that’s despite the fact that they probably know a whole lot more than we do.

Prince Philip documents his interest in UFOs, but as always, we must be wary of comments coming from the government, or those who puppet these governments, about UFOs, because those comments could perhaps be used to push forth a fear agenda. First the threat was the Russians, and now it’s the “Islamic State,” which itself seems to be the creation of the Western Military Alliance.

So why should UFOs be any different? Just look at this statement from the biography of Lord Mountbatten, Prince Philip’s uncle, as shared in the Huffington Post a couple of years ago:

[We were] both convinced that they come from another planet but we mutually and independently came to the conclusion that they were not ‘aeroplanes’ with silly little almost human pilots but are themselves the actual inhabitants: Martians, Venusians, Jupiterians or what have you. Why should life in another planet with entirely different conditions in any way resemble life on our planet? Their inhabitants might be ‘gaseous’ or circular or very large. They certainly don’t breathe, they may not have to eat and I doubt if they have babies—bits of their great discs may break away and grow into a new creature. The fact that they can hover and accelerate away from the earth’s gravity again and even revolve round a V2 in America (as reported by their head scientist) shows that they are far ahead of us. If they really come over in a big way that may settle the capitalist-communist war. If the human race wishes to survive they may have to band together.

In fact, fear propaganda was also alluded to in some of the John Podesta Wikileaks emails, when Dr. Edgar Mitchell and Carol Rosin expressed their concern for peace in outer space. Rosin herself has told the world a very interesting story with regards to what she heard from her mentor, Dr. Wernher Von Braun:

“The enemy as first he said, the enemy against whom we’re going to build a space based weapons system. . . . First the Russians are going to be considered the enemy . . . then terrorists would be identified and that was soon to follow. . . . Then we were going to identify third world crazy’s, we now call them nations of concern. . . . The next enemy was asteroids…and against asteroids we’re going to build space based weapons, and the funniest one of all, was against what he called aliens, extraterrestrials, that would be the final card. And over, and over during the four years that I knew him and was giving his speeches for him, he would bring up that last card.”

After all, the global financial elite have a long history of imposing their will on others, by any means necessary, and that includes a lot of mainstream media brainwashing.

You can read more about that agenda, perhaps one to further heighten the global national security state, one in which fear rules, in an article we published about it here.

So, again, this is why it’s always interesting to hear what these “elites” have to say about UFOs, because it always gets mainstream media attention, though that does not mean it represents any truth at all.

The UFO/extraterrestrial issue is engulfed in secrecy, and very compartmentalized, and anybody who claims to know what exactly is going, no matter who they are, is suspect. That shouldn’t detract from the fact that they may know a whole lot too, but as far as I am concerned, mainstream media, governments, and royal families are not your greatest source for truth.

That being said, there still remains the very clear fact that the UFO/extraterrestrial phenomenon is full of evidence and truth, and there are those, like the ones mentioned above, who want to manufacture their own truth about it, all while studying it for themselves and perhaps using it for their own advantage.

It’s noteworthy to mention here that Mountbatten was also Admiral of the Fleet, one of many military men with a heavy interest in the subject.

Take Lord Admiral Hill-Norton, for example, a former Chief of Defence Staff, 5 Star Admiral of the Navy, and Chairman of the NATO military committee, who said:

“There is a serious possibility that we are being visited and have been visited for many years by people from outer space, from other civilizations . . . and it behooves us, in case some of these people in the future or now should turn hostile, to find out who they are, where they come from, and what they want. This should be the subject of rigorous scientific investigation and not the subject of ‘rubishing’ by tabloid newspapers.

The UFO At Mountbatten’s Estate

According to an article written by the Sun, who placed within their article the document found by them within the Broadlands Archives:

Back in February, 1955, Mountbatten…made an official report about a strange encounter his bricklayer Fred Briggs allegedly had with a flying saucer and an alien creature. The report, which was uncovered after Mountbatten’s 1979 death at the hands of the IRA, describes how a silver spaceship landed in the grounds of his Broadlands estate in Romsey, Hampshire. The flying saucer hovered above the ground before a man dressed in overalls and a helmet descended from the bottom of the craft, according to the documents. Fred was then reportedly knocked off his bike and held on the ground by an “unseen force.” 

What further lends legitimacy to this story is the fact thatGordon Creighton, a veteran of the British Service, also describes a UFO landing that took place on the estate of Lord Mountbatten in the south of England, near Southampton.

Below is a picture of Mountbatten’s description.

 

Read More @ CollectiveEvolution.com

Illuminati Symbolic Pics of the Month 09/17

0

from Vigilant Citizen:

In this edition of SPOTM: Gwen Stephani, Miley Cyrus, Harrison Ford, and more proof that one-eye symbolism is a requirement to remain in the good graces of the entertainment industry.

David Lachappelle, one of the elite’s favorite photographers, released a new art book. Miley Cyrus, one of the elite’s favorite slaves, is used to promote that book. As it is often the case with Lachapelle pics using industry slaves, the result is extremely symbolic. Here, Miley poses completely naked inside a desolate jail cell, reaching out for the sun.

In the next picture, Miley is transformed into a colorful butterfly and a bunch of flowers grew around her. This is 100{5f621241b214ad2ec6cd4f506191303eb2f57539ef282de243c880c2b328a528} about Monarch programming. In the twisted symbolism of mind control, slaves who have been successfully programmed are depicted with butterfly wings – the insect that begins as a caterpillar to transform into a beautiful butterfly. In both pictures, Miley is naked (representing that the fact that she’s defenseless and possibly a Beta slave). Also, in both pics, she’s still inside her cell (representing the fact that the butterfly thing is all inside her head). That David Lachapelle book should be very symbolic.

As usual, the one-eye sign popped up everywhere in mainstream media in the past month. It can be seen on the cover of magazines, on the cover of music albums, on movie posters, and even on non-relevant ads. We are constantly reminded of who owns this entire industry, yet very few people actually see it.

Ryan Gosling stars in the upcoming movie Bladerunner 2049. Wired Magazine published an article promoting that movie and this is the main picture of the article. One-Eye. In your face. Tell a friend. Also, that robot head above Ryan has something going on in the right eye as well.

Harrison Ford is the other star of Bladerunner 2049. He was featured in the cover story of GQ magazine to promote that movie as well. Once again, the one-eye sign. In your face. Tell a friend.

To make 100{5f621241b214ad2ec6cd4f506191303eb2f57539ef282de243c880c2b328a528} sure that you understand that there is nothing “random” about this one-eye thing, here’s another one. There is something sad about these old guys forced to do these ridiculous signs to stay relevant. 

Read More @ VigilantCitizen.com

The Latest Lies of Hillary Clinton

0

by Roger Stone | Infowars.com :

Hillary Clinton is at it again. In her cool new book “What Happened?” she comes up with any number of people and institutions to blame for her stunning defeat. She seems to blame everyone but herself.

At the same time she recycles the lies of John Podesta claiming falsely that I knew about Podesta’s email being hacked in advance, that I knew the content of the WikiLeaks October disclosures and that my brief and now totally public exchange with somebody calling themselves Guccifer 2.0 is anything but innocuous, benign and meaningless.

I have a feeling these questions will come up when I testify before the House Intelligence Committee next Tuesday. Let’s take a look at Hillary Clinton’s latest lies:

Page 345

“Then, on August 8, Trump’s longtime consigliere Roger Stone, who cut his teeth as one of Richard Nixon’s “dirty tricksters,” bragged to a group of Florida Republicans that he was in communication with a Assange and predicted that an “October surprise” was coming. This was a shocking admission, made in public, from Trump’s longest-serving political adviser. Stone made similar statements on August 12, 14, 15, and 18. On August 21, he tweeted, “Trust me, it will soon be Podesta’s time in the barrel. #CrookedHillary”. This was particularly notable because, as I mentioned earlier, we have determined there was a good chance that John’s email might have been hacked, but didn’t know for sure. Stone kept at it over the next few weeks, even calling a Assange his “hero.”

I wasn’t the only one who noticed. At the end of August, Harry Reid, one of the congressional “gang of eight” who are briefed on the most sensitive intelligence matters, wrote a letter to FBI Director Comey that cited Stone’s claims and asked for a full and thorough investigation. “The evidence of a direct connection between the Russian government in Donald Trump’s presidential campaign continues to mount,” Reid wrote.”

Allegation: Contact with Julian Assange and knowledge of the Podesta hack, plus Harry Reid confirmed it.

Read more @ infowars.com

The New Movie ‘IT’ OMITTED CHILD ORGY SCENE THAT’S IN STEVEN KING’S DEPRAVED BOOK!

from The Vulture:

Since its publication in September of 1986, It has enjoyed a long shelf life, first as a book that spent 14 weeks at the top of the New York Times best-seller list and then worming into nightmares as a TV mini-series in 1990 starring Tim Curry as the titular demonic clown/embodiment of children’s deepest fears. The monster, which a group of kids simply name “It,” manifests as something different for each person based on their specific fears — burning houses, lepers, a dead sibling — and, perhaps because of this, the story has maintained a compelling hold on our collective psyches for more than 30 years. This week, It hits theaters for the first time as a feature film, with a script that was originally set to be directed by Cary Fukunaga, before New Line decided to pivot to Andy Muschietti. (Fukunaga retains a writing credit on a reworked script).

But one controversial scene from King’s novel has dogged the book and subsequent adaptations. After defeating It, the kids get lost in the sewer tunnels on the way out; this is attributed in part to the fact that they’re losing their “connection” to one another. The solution is to bind them together, which Beverly — the only girl in the story’s main group of protagonists, called “the Losers” — says can only happen if each of the boys has sex with her. Where they’re timid and unsure, she’s confident and maternal. (King writes the first boy Eddie comes to her “the way he would have come to his mother.”) The sex is a “consensual” gang bang, with each of the boys losing his virginity, and thus entering manhood, through Beverly.

 

The ’80s was a bonkers time, but the orgy scene in particular has aged poorly; critics and readers looking back at it have called it everything from “disturbing” to “sick” to “insane.” A Reddit reader from last year simply asked, “WTF?” and generated over 500 comments. For almost ten exhaustive pages, King describes each of the boys having sex with Beverly and their orgasms as a version of “flying.” (You also get the sense that King is a bit of a size queen.) Beverly’s desires are positioned as a way for her to overcome her own fears around sex, but mostly the narrative centers on how the boys literally enter adulthood through Beverly’s vagina. Kingreleased a statement a few years ago through his fan site Stephenking.com, where he wrote, “I wasn’t really thinking of the sexual aspect of it… Intuitively, the Losers knew they had to be together again. The sexual act connected childhood and adulthood.” Perhaps most horrifying to modern sensibilities is that there is no talk of birth control, condoms, or a realization that a circle jerk would have sufficed.

When the new adaptation was announced, many wondered whether it would feature the scene, or some version of it (though the 1990 version eschewed it entirely). As fans often like to say: It’s canon. So does the new version feature a bunch of kids engaging in an orgy? The tl;dr version: No. But while it evades the obvious graphic horror and legal problems of minors simulating group sex, the new film retains a lot of the original scene’s problems — namely, its regressive gender politics and sexualization of its adolescent-girl lead.

The 2017 film flattens and reduces Beverly as a character in retrograde ways. It plays up the love triangle between Beverly (Sophia Lillis), Bill (the protagonist played by Jaeden Lieberher, who loses his little brother Georgie at the start of the film), and the chubby kid, Ben (Jeremy Ray Taylor), who pines for Bev and writes her a precocious love haiku. The climax of the film — when the Losers reconnect to defeat It after they initially disband — is prompted by It capturing Beverly and taking her to its lair. From there, it’s a classic tale of a damsel in distress: When Bev’s friends come upon her, she’s suspended in midair, like a pendant lamp. The boys eventually get her down, but she’s zoned out, her eyes clouded over. And just as in Sleeping Beauty, Ben kisses her and she awakens. She exists first and foremost as an object of their desire.

It’s an odd decision, in part because this is a more classically sexist narrative than what Fukunaga and Chase Palmer wrote in their original screenplay (which was leaked online after Fukunaga and the studio parted due to “creative differences”). In fact, some of the major differences between the old and new scripts involve Beverly in this way; the new script sexualizes her several times, like when she flirts with a middle-aged cashier at a pharmacy to help the boys steal some supplies. (In the Fukunaga script, the hypochondriac kid Eddie, played by Jack Dylan Grazer, fakes a medical emergency). In Fukunaga and Palmer’s version, Beverly flirts with zero old dudes and needs no saving. She goes with the boys to Pennywise’s lair, launches herself into a waterfall and goes headlong into the fight.

The Fukunaga script does have elements of physical horror that hew more closely to the book. But the focus is different: Beverly’s It manifests as blood — buckets of blood that spew from the sink — and Fukunaga makes it clear that the blood is a metaphor for her own fears around growing up and becoming a “woman,” something she fears would make her more of a sexual object to men, including her father. The new version, on the other hand, removes the physical horror, but leaves in the male gaze: Her father leers at her, calling her his “little girl” and attempting to harm her physically, but there is no blatant indication of sexual abuse. And while the bathroom blood remains, it’s not visually connected to her period or to her fear of her dad, making it seem displaced and random.

RELATED:

 

Read More @ TheVulture.com

DISNEY’S DESCENDANTS 2: SATANIC INDOCTRINATION FOR KIDS

0

from Beginning and End:

As  Hollywood continues to push Satanic rebellion into the hearts and minds of children, the Disney’s Descendants movie series has taken the indoctrination to an entirely new level. The series has been a massive success for the Disney franchise as millions of children and pre-teens have tuned in. The movie series – a spinoff of prior Disney stories and the movie Maleficent – casts evil villains as heroes and celebrates wickedness, sinful rebellion and the occult. All the while it subtly and deceptively reinvents the story of the fall of Lucifer and his fallen angels.

DESCENDANTS VILLAINS: TRULY ROTTEN TO THE CORE

 The temptation of the forbidden fruit is constantly promoted in the Descendants films.
The temptation of the forbidden fruit is constantly promoted in the Descendants films.

The Descendants film is about the children of some of the more famous  Disney villains (Maleficent, the Evil Snow Queen, Cruella De Vil, Captain Hook, etc.), who along with their parents have been banished to the “Isle of the Lost.”  They are given a chance to infiltrate a peaceful kingdom and bring their wicked ways there.  The film makes no secret in its symbolism of a bitten apple logo with a serpent-like vine wrapped around it. It is a not-so-subtle allusion to Adam and Eve eating the forbidden fruit of the Tree of the Knowledge of Good and Evil in the Bible:

“Now the serpent was more subtil than any beast of the field which the Lord God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?  And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:  But of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die.  And the serpent said unto the woman, Ye shall not surely die:

“For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil.  And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.”  – Genesis 3:1-6.

Satan deceived Eve by distorting God’s words (The Lord did not forbid “every tree.” Only one), calling God a liar (telling her she would not die if she ate the forbidden fruit) and slandering God (telling her that the fruit would make her god-like, implying that God wanted to keep this knowledge and ability from her).

And just like that, what was once evil and dangerous to Eve became exciting and alluring. This is the precise deception of Descendants as it repeatedly portrays sinful rebellion, wickedness and witchcraft as fun and cool.

Continuing the theme of eating the forbidden apple, the original Descendants movie opens up with the song “Rotten To the Core”:

The first image of the video is Mal (the daughter of Maleficent from Sleeping Beauty), spray painting “Long Live Evil” on a wall.

 The main character Mal spray paints the film’s mantra: Long Live Evil.
The main character Mal spray paints the film’s mantra: Long Live Evil.

You are here: Home / Entertainment / Disney’s Descendants 2: Satanic Indoctrination For Kids

DISNEY’S DESCENDANTS 2: SATANIC INDOCTRINATION FOR KIDS

August 1, 2017 By Beginning and End

The Descendants 2 movie calls evil good and good evil.

As  Hollywood continues to push Satanic rebellion into the hearts and minds of children, the Disney’s Descendants movie series has taken the indoctrination to an entirely new level. The series has been a massive success for the Disney franchise as millions of children and pre-teens have tuned in. The movie series – a spinoff of prior Disney stories and the movie Maleficent – casts evil villains as heroes and celebrates wickedness, sinful rebellion and the occult. All the while it subtly and deceptively reinvents the story of the fall of Lucifer and his fallen angels.

DESCENDANTS VILLAINS: TRULY ROTTEN TO THE CORE

The temptation of the forbidden fruit is constantly promoted in the Descendants films.

The Descendants film is about the children of some of the more famous  Disney villains (Maleficent, the Evil Snow Queen, Cruella De Vil, Captain Hook, etc.), who along with their parents have been banished to the “Isle of the Lost.”  They are given a chance to infiltrate a peaceful kingdom and bring their wicked ways there.  The film makes no secret in its symbolism of a bitten apple logo with a serpent-like vine wrapped around it. It is a not-so-subtle allusion to Adam and Eve eating the forbidden fruit of the Tree of the Knowledge of Good and Evil in the Bible:

“Now the serpent was more subtil than any beast of the field which the Lord God had made. And he said unto the woman, Yea, hath God said, Ye shall not eat of every tree of the garden?  And the woman said unto the serpent, We may eat of the fruit of the trees of the garden:  But of the fruit of the tree which is in the midst of the garden, God hath said, Ye shall not eat of it, neither shall ye touch it, lest ye die.  And the serpent said unto the woman, Ye shall not surely die:

“For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil.  And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.”  – Genesis 3:1-6.

Satan deceived Eve by distorting God’s words (The Lord did not forbid “every tree.” Only one), calling God a liar (telling her she would not die if she ate the forbidden fruit) and slandering God (telling her that the fruit would make her god-like, implying that God wanted to keep this knowledge and ability from her).

And just like that, what was once evil and dangerous to Eve became exciting and alluring. This is the precise deception of Descendants as it repeatedly portrays sinful rebellion, wickedness and witchcraft as fun and cool.

Continuing the theme of eating the forbidden apple, the original Descendants movie opens up with the song “Rotten To the Core”:

The first image of the video is Mal (the daughter of Maleficent from Sleeping Beauty), spray painting “Long Live Evil” on a wall.

The main character Mal spray paints the film’s mantra: Long Live Evil.

While of course the basic message is her rebellion and vandalism, her writing of “Evil” with the letters backwards is a part of the Occult Law of Reversal. This concept, strongly endorsed by satanist Aleister Crowley, teaches that occult powers can be enhanced when words or writings are done backwards:

Those who want fame, power, spell-casting abilities, demons at their beck and call, and to recognize the godhead within, as well as to know the past, present, and future, he extolled to his apt students, must consistently, with intensity, practice talking (reverse speech), walking, thinking, and playing phonograph records, backwards. This is a form of divination, and we are warned against this in the Holy Bible.” (source). 

Reverse writing is found all over the video.

Read More @ BeginningandEnd.com

THE NEPHILIM AND THE GREAT SECRET OF THE OCCULT

The occult mystery kept secret for thousands of years is connected to the Nephilim of Genesis 6.

from Beginning and End:

In our previous installment Wars of The Nephilim KingsBeginning And End referenced an occult secret linked to the Nephilim.  Something that many in the New Age and occult societies acknowledge is in the Bible. What do the symbols of Freemasonry, alchemy and many other mystic groups mean?  What is the mystery they have been concealing for centuries? This article will explain from the pages of Scripture. 

A SECRET HIDDEN IN THE BIBLE?

Among the foremost leaders of the mystery schools and New Age movement, there was an acknowledgment this special knowledge was contained in the pages of the Holy Bible.  Albert Pike, 33rd degree Freemason philosopher, Confederate War General and Luciferian wrote:

“Therein is the secret fire, living and philosophical, of which all the Hermetic philosophers speak with the most mysterious reserve: the Universal Seed, the secret whereof they kept, and which they represented only under the figure of the Caduceus of Hermes. This is the grand Hermetic arcanum…. So that the Great Work is more than a chemical operation; it is a real creation of the human word initiated into the power of the Word of God.” – Morals and Dogma, Albert Pike, p 501-502.

Other esoteric sources also credit the Bible for having this knowledge:

“The reason…is that there exist powerful secrets hidden in the pages of this ancient book [the Bible]… a vast collection of untapped wisdom waiting to be unveiled.” – The Lost Symbol, Dan Brown, p. 489.

“The great Masonic truths, concealed among the learned of former ages under allegories and fables, are therefore lost– long long lost! But what is lost is not consequently destroyed – what is lost may be found, and all that is required is some clue or key. Fortunately there are applicable keys, held sacred by a body of men who know not their use, and the locks these keys fit are held sacred by all modern clergy, and the multitude of religionists. The first and best evidence of the truthfulness of the keys is their being used to interpret the Bible – that heavenly book of truth.” – The Ignorant Learned, p. 15-16.

What is this hidden knowledge? One source gives a subtle hint:

“I knelt beneath the cedars old and hoar
That streak with verdure snowy Lebanon;
The mountain eagles o er the patriarchs soar,
The thunder clouds of summer grimly frown,
Where large and strong they stand those giants of renown” – Freemasonry in The Holy Land, p. 604.

THE FUSION OF OPPOSITES – GENESIS 6

 The secret was revealed to the prophet Daniel.
The secret was revealed to the prophet Daniel.

The secret is The Fusion of Opposites – a term commonly used in the Christian community by Pastor Mike Hoggard of Bethel Baptist Church. What the occult societies and new age mystics have concealed is that the path to attaining godhood and immortality is found in Genesis 6 – the account of the fallen angelic Sons of God marrying the daughters of men and giving birth to the Nephilim giants – hybrid supermen who dominated the antediluvian world.  The great expectation of the occult is a future age where the angels interact with humanity that can revive that era and turn men to gods. 

The Biblical source for this is found in Daniel chapter 2. In this chapter, the power of the God of the Bible comes in direct conflict with the occult. King Nebuchadnezzar, ruler of ancient Babylon and the most powerful man on Earth at that time, woke from a nightmare so terrifying he called all his court astrologers, wizards and mystics to give him the interpretation. Adding to the challenge was that that the king could not remember the content of the dream – requiring clear supernatural insight to answer his request.  The occult advisors to the king were powerless to respond:

“Then the king commanded to call the magicians, and the astrologers, and the sorcerers, and the Chaldeans, for to shew the king his dreams. So they came and stood before the king. 3 And the king said unto them, I have dreamed a dream, and my spirit was troubled to know the dream. 4 Then spake the Chaldeans to the king in Syriack, O king, live for ever: tell thy servants the dream, and we will shew the interpretation. 5 The king answered and said to the Chaldeans, The thing is gone from me: if ye will not make known unto me the dream, with the interpretation thereof, ye shall be cut in pieces, and your houses shall be made a dunghill.

6 But if ye shew the dream, and the interpretation thereof, ye shall receive of me gifts and rewards and great honour: therefore shew me the dream, and the interpretation thereof. 7 They answered again and said, Let the king tell his servants the dream, and we will shew the interpretation of it. 8 The king answered and said, I know of certainty that ye would gain the time, because ye see the thing is gone from me. 9 But if ye will not make known unto me the dream, there is but one decree for you: for ye have prepared lying and corrupt words to speak before me, till the time be changed: therefore tell me the dream, and I shall know that ye can shew me the interpretation thereof.

10 The Chaldeans answered before the king, and said, There is not a man upon the earth that can shew the king’s matter: therefore there is no king, lord, nor ruler, that asked such things at any magician, or astrologer, or Chaldean. 11 And it is a rare thing that the king requireth, and there is none other that can shew it before the king, except the gods, whose dwelling is not with flesh. 12 For this cause the king was angry and very furious, and commanded to destroy all the wise men of Babylon.” –Daniel 2:2-12.

The royal sorcerers told the king that it was impossible for any mere human to supernaturally look in the recesses of the king’s memory, find out what he dreamt and then interpret that dream for him. This provoked the king to order the death of any wise man. The prophet Daniel was living in captivity in the king’s court in Babylon at that time.  When he heard of the decree to kill the wise men he requested an audience with the king and then prayed to God for the answer:

Read More @ BeginningandEnd.com