Thursday, December 5, 2019

‘Secretive Army of Darkness’ Is Dedicated To The Enslavement, Impoverishment And Extermination Of Every Human On Earth

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by William B Stoecker, All News Pipeline:

– Liberals Continue To Push Their ‘Tyranny With A Happy Face’ Agenda Upon America

There is a powerful army with tens of millions of soldiers, spread across the Earth and present in virtually every nation, an army dedicated to the enslavement, impoverishment, moral degradation, and eventually the extermination of every human being on Earth…including its own soldiers. It is hidden in plain sight, like most of the secrets of the elites, yet is so secret that most of its own members don’t know that they are soldiers, or even that their army exists. The army has three divisions. 

The first division is Islam, a religion supposedly revealed to a merchant named Muhammad living in Mecca in Saudi Arabia in the seventh century. He claimed that the religion was revealed to him by an angel that he encountered while praying (to what?) in a cave. What kind of angel appears underground rather than in the open air? Muhammad’s new religion cobbled together Arabic paganism along with elements of Judaism and Christianity in an apparent effort to make it “sell,” and he built a small army of fanatical followers. When the local Jews refused to convert to his faith, he slaughtered thousands of them and sold the rest into slavery. And ever since Islam has been spread by war and conquest and terrorism.

No other modern religion is responsible for continuous acts of senseless cruelty and mass murder…only Islam. Islam is the only religion that is continually at war with all the others, and, early on, Islam split into the Shia and Sunni factions, who now hate each other as much as they hate Christians, Jews, and everyone else. The new religion spread by conquest across all of the Middle East and North Africa and parts of sub-Saharan Africa. It spread into India and Southeast Asia and Indonesia, and the Ottoman Turks conquered the Byzantine Empire, the last remnant of the original Roman Empire; Constantinople fell on 5/29/1453. Muslims from North Africa conquered Spain, but when they crossed the Pyrenees into what is now France they were crushed in the Battle of Tours on 10/10/732. Later the Turks expanded into Eastern Europe, but were stopped by the Poles, Germans, and Austrians in the Battle of Vienna on 9/12/1683. 

Today, senseless acts of terrorism are a daily occurrence; in fact, when the Muslims have no Christians or Jews to butcher, or when the Shias have no available Sunni victims (or vice versa), Shias murder Shias and Sunnis slaughter Sunnis. A Muslim’s gotta do what a Muslim’s gotta do. Muslims enslave their women and practice female genital mutilation and “honor” killings, murdering, for example, their own wives or daughters if they are raped by another man…and radical feminists in the West just love it. In between terrorist bombings, Muslim immigrants commit much of the street crime in Western nations, especially rape and child rape, sometimes aided and abetted by, for example, the British police, who look the other way and refuse even to investigate the crimes.

Leftists continually repeat their mantra claiming that most Muslims are just the most wonderful people on Earth and only a tiny minority are terrorists. It is true that not all Muslims are brave enough or suicidal enough to blow themselves up killing “infidels,” but most of the other Muslims either support terrorism or at least condone it. Where is the outrage from Muslim communities when their co-religionists commit these atrocities? It is no exaggeration to say that the hordes of Muslim invaders that our Western elites have imported into Europe, Canada, and the US are literally destroying Western Civilization. Perhaps that has been the plan all along. 

The second division of the Army of Darkness is composed of criminals…individual street thugs, gangs, and drug cartels. Note that they overlap with the first division because Muslims commit so much crime. Criminals of every kind destabilize society, damage the economy, and provide a convenient excuse for federalization of law enforcement, criminalization of almost every act, and the disarmament of the commoners. Never mind that armed citizens are very effective at stopping crime before it happens; ignore the inconvenient fact that almost all mass shootings occur in “gun free” zones. The real agenda is to disarm anyone who might resist tyranny. 

And it is the army’s third division that is behind this…the political left. The left aids and abets the other two divisions…it is leftist politicians here in the US and in the EU who have imported Muslims and given them special rights, privileges, and protection, expensive benefits paid for by taxpayers, and even kicked their own citizens out of rental homes and apartments in order to house the invaders. It is leftists who allow Muslim immigrants to spew hatred in their mosques but fine or even jail their own citizens for pointing out the obvious truth. And it is the left that invents rights for street criminals, insisting that they not be executed, giving them probation and parole even when they present a clear danger to honest citizens. 

It is leftists who hold candlelight vigils, their tears glistening softly, on those all too rare occasions when a murderer is actually executed. It is leftist politicians who have opened our southern border to Mexican drug cartels and Latin American street gangs. It was Hussein Obama and the smirking Eric Holder who arranged the sale of weapons to the drug cartels…of course, neither of them has been brought to justice…justice in America died a long time ago. Interestingly, the leftist judges who release felons to commit more crimes have no problem imprisoning law abiding Americans for being politically incorrect. The Bundy family was finally released, but what about Border Patrol agents Ramos and Compean, railroaded by Bush II? They were finally released, but never pardoned, and their careers and lives were ruined. 

The leftists call themselves “liberals” and “progressives,” but, in reality, they are fascists. Understand that communism, beneath all the rhetoric, all the pretty slogans about “from each according to his ability, to each according to his need,” has always been fascism, and was never intended to be anything else. Nazism and the Italian fascism of Mussolini are not “right wing” ideologies…they are leftist. “Nazi” is the acronym for “National Socialist,” and Mussolini had been a militant socialist since childhood. But what is the origin of this poisonous ideology? 

Read More @ AllNewsPipeline.com

Symbolic Pics of the Month 08/10

from Vigilant Citizen:

In this edition of SPOTM: Rose McGowan, Rihanna, Iggy Azalea, Millie Bobby Brown, Adam Lambert and more irrefutable proof that the entertainment industry is owned by a sick, secretive elite. And it wants to control your brain.

The art of Iggy Azalea’s album In my Defense depicts the rapper dead with blood around her. Behind her is a BMW with an eerie red light emanating from it. Does this gruesome image represent the ultimate price to pay in order to get material riches (i.e. a BMW?).

NXIVM Doctor Who Ran Twisted Human Experiments Borrowed $60,000 “To Survive”

by Tim Brown, Freedom OutPost:

The NXIVM sex-cult has ensnared high profile people in the crimes that have been discovered, and even as Hillary Clinton and her campaign are being looked at over contributions by one of its members, a doctor who ran twisted human experiments for the group claims that he is so broke that he had to borrow $60,000 from family and friends just “to survive.”  He’s also filed bankruptcy.

The Meaning of YG’s Video “In The Dark”: Is it About Blood Sacrifice?

from Vigilant Citizen:

YG’s video “In the Dark” contains overt occult and satanic symbolism. It also appears to refer to the death if Nipsey Hussle in a dark and gruesome matter. Is the video actually about a blood sacrifice?

YG is a rapper from Compton, California who released his first single in 2009. Since then, he got signed with Def Jam records and released a steady stream of mixtapes and albums, amounting to an ever-growing fanbase. Other than a few radio hits, YG is mostly known for FDT (F*** Donald Trump), a protest song released a few months prior to Trump’s election.

Symbolic Pics of the Month 11/18

from Vigilant Citizen:

In this edition of SPOTM: Fortnite, Kylie Jenner, Cole Sprouse, and, of course, the Pillsbury Doughboy.

As a child, Cole Sprouse was the star of Disney’s “The Suite Life of Zack & Cody”, along with his twin brother Dylan. Today, Cole is 25 years old and, unfortunately, he needs to do weird, occult-elite stuff to stay in showbusiness. For instance, this photoshoot from King Kong is pure Illuminati mind control. Here, he’s doing the one-eye sign with a flower.

The New Movie ‘IT’ OMITTED CHILD ORGY SCENE THAT’S IN STEVEN KING’S DEPRAVED BOOK!

from The Vulture:

Since its publication in September of 1986, It has enjoyed a long shelf life, first as a book that spent 14 weeks at the top of the New York Times best-seller list and then worming into nightmares as a TV mini-series in 1990 starring Tim Curry as the titular demonic clown/embodiment of children’s deepest fears. The monster, which a group of kids simply name “It,” manifests as something different for each person based on their specific fears — burning houses, lepers, a dead sibling — and, perhaps because of this, the story has maintained a compelling hold on our collective psyches for more than 30 years. This week, It hits theaters for the first time as a feature film, with a script that was originally set to be directed by Cary Fukunaga, before New Line decided to pivot to Andy Muschietti. (Fukunaga retains a writing credit on a reworked script).

But one controversial scene from King’s novel has dogged the book and subsequent adaptations. After defeating It, the kids get lost in the sewer tunnels on the way out; this is attributed in part to the fact that they’re losing their “connection” to one another. The solution is to bind them together, which Beverly — the only girl in the story’s main group of protagonists, called “the Losers” — says can only happen if each of the boys has sex with her. Where they’re timid and unsure, she’s confident and maternal. (King writes the first boy Eddie comes to her “the way he would have come to his mother.”) The sex is a “consensual” gang bang, with each of the boys losing his virginity, and thus entering manhood, through Beverly.

 

The ’80s was a bonkers time, but the orgy scene in particular has aged poorly; critics and readers looking back at it have called it everything from “disturbing” to “sick” to “insane.” A Reddit reader from last year simply asked, “WTF?” and generated over 500 comments. For almost ten exhaustive pages, King describes each of the boys having sex with Beverly and their orgasms as a version of “flying.” (You also get the sense that King is a bit of a size queen.) Beverly’s desires are positioned as a way for her to overcome her own fears around sex, but mostly the narrative centers on how the boys literally enter adulthood through Beverly’s vagina. Kingreleased a statement a few years ago through his fan site Stephenking.com, where he wrote, “I wasn’t really thinking of the sexual aspect of it… Intuitively, the Losers knew they had to be together again. The sexual act connected childhood and adulthood.” Perhaps most horrifying to modern sensibilities is that there is no talk of birth control, condoms, or a realization that a circle jerk would have sufficed.

When the new adaptation was announced, many wondered whether it would feature the scene, or some version of it (though the 1990 version eschewed it entirely). As fans often like to say: It’s canon. So does the new version feature a bunch of kids engaging in an orgy? The tl;dr version: No. But while it evades the obvious graphic horror and legal problems of minors simulating group sex, the new film retains a lot of the original scene’s problems — namely, its regressive gender politics and sexualization of its adolescent-girl lead.

The 2017 film flattens and reduces Beverly as a character in retrograde ways. It plays up the love triangle between Beverly (Sophia Lillis), Bill (the protagonist played by Jaeden Lieberher, who loses his little brother Georgie at the start of the film), and the chubby kid, Ben (Jeremy Ray Taylor), who pines for Bev and writes her a precocious love haiku. The climax of the film — when the Losers reconnect to defeat It after they initially disband — is prompted by It capturing Beverly and taking her to its lair. From there, it’s a classic tale of a damsel in distress: When Bev’s friends come upon her, she’s suspended in midair, like a pendant lamp. The boys eventually get her down, but she’s zoned out, her eyes clouded over. And just as in Sleeping Beauty, Ben kisses her and she awakens. She exists first and foremost as an object of their desire.

It’s an odd decision, in part because this is a more classically sexist narrative than what Fukunaga and Chase Palmer wrote in their original screenplay (which was leaked online after Fukunaga and the studio parted due to “creative differences”). In fact, some of the major differences between the old and new scripts involve Beverly in this way; the new script sexualizes her several times, like when she flirts with a middle-aged cashier at a pharmacy to help the boys steal some supplies. (In the Fukunaga script, the hypochondriac kid Eddie, played by Jack Dylan Grazer, fakes a medical emergency). In Fukunaga and Palmer’s version, Beverly flirts with zero old dudes and needs no saving. She goes with the boys to Pennywise’s lair, launches herself into a waterfall and goes headlong into the fight.

The Fukunaga script does have elements of physical horror that hew more closely to the book. But the focus is different: Beverly’s It manifests as blood — buckets of blood that spew from the sink — and Fukunaga makes it clear that the blood is a metaphor for her own fears around growing up and becoming a “woman,” something she fears would make her more of a sexual object to men, including her father. The new version, on the other hand, removes the physical horror, but leaves in the male gaze: Her father leers at her, calling her his “little girl” and attempting to harm her physically, but there is no blatant indication of sexual abuse. And while the bathroom blood remains, it’s not visually connected to her period or to her fear of her dad, making it seem displaced and random.

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Read More @ TheVulture.com

Miley Cyrus in “Black Mirror” as a Mind-Controlled Pop Star: It’s Not Fiction

from Vigilant Citizen:

In the Black Mirror episode “Rachel, Jack and Ashley Too”, Miley Cyrus plays the role of a mind-controlled pop star with a fake persona, who is tightly controlled and medicated by ruthless handlers. None of this is “science fiction”.

Warning: Massive spoilers ahead!

Since 2011, the Netflix series Black Mirror has been creeping out millions of viewers about the perverse effects of technology. While the series is considered to be “science fiction”, its episodes are nevertheless based on real-life trends and products that are already part of society today. The Black Mirror secret: To vividly demonstrate how we’re one misstep away from an Orwellian nightmare.

Tech Times: Florida startup harvests young blood to sell to the wealthy for $8k a liter

by Erin Elizabeth, Health Nut News:

The Florida-based startup Ambrosia, founded in 2016 by Stanford Medical School graduate Jesse Karmazin, offer new, young plasma to help combat against the aging process for patients 30 years and older. They have six locations around the country (Phoenix, AZ, Los Angeles, CA, San Francisco, CA, Tampa, FL, Omaha, NE and Houston, TX) and the price starts at $8,000 for one liter. The plasma is from carefully screened donors between 16 and 25 years old.