Since my 2009 article on Umbrella, this site has been documenting nearly all of Rihanna’s career. That’s because, at every step of her life and career, heavy symbolism ensued. The fact that she’s now a mother of three doesn’t stop her from taking part in material that alludes to industry slavery. Quite the opposite, the children are now part of it. Her recent W Magazine photoshoot is pure occult elite madness.
On the magazine cover, Rihanna is holding baby Rocki while wearing an outfit that some described as an “opulent version” of those found in The Handmaid’s Tale. Considering the subject matter of this dystopian series, the choice of outfit is rather odd.In the series, Handmaids are women who are assigned to the homes of the ruling elite, where they must submit to ritualized rape (referred to as “the ceremony”) by their male masters in the presence of their wives with the intent of being impregnated and bearing children for them. Is this reference saying something about Rihanna’s pregnancy?
The rest of the photoshoot is not about motherhood. Quite the opposite, it is about the fact that, despite her being a mother, she remains an industry pawn.
The photoshoot takes place in what appears to be an aristocratic European chateau, complete with Masonic touches such as checkerboard floors. Rihanna wears an outfit inspired by Venetian masked balls – a tradition loved by the occult elite.Another combination of ritualistic checkerboard pattern with “ghostly nobles of the past” outfits.Here, Rihanna is presiding over some kind of ritual where roses probably signify more than mere roses.The elaborate dinner table setup above is reminiscent of this picture from the 1972 Rothschild ball, which also took place in a very occult elite chateau.
