To promote their upcoming movie The Drama, Zendaya and Robert Pattinson took part in an Interview magazine photoshoot that is all about emasculation and trauma-based mind control. Of course. How else would you promote a romantic comedy?
On the cover, Patterson wears a woman’s wig, a very feminine top, and lipstick smeared on his face. This is the price to pay to remain in Hollywood.
There is more to this photoshoot than making Pattinson look pathetic. Several clues in the pictures indicate that Zendaya and Pattinson represent the split personas of a Monarch slave.
Zendaya and Pattinson are merged together with a visible “tear” between them. In mind control terms, this represents the fracture of a slave’s persona.Zendaya wears a mask that is similar to porcelain masks that MK slaves are forced to wear in the process of “depersonalizing” them.Pattinson’s face is scratched off, again alluding to depersonalization. Them wearing similar dresses refers again to the concept of split personas (while, of course, subjecting Pattinson to more humiliation).
In mind control, the splitting of personas occurs after heavy trauma and dissociation. For this reason, Pattinson looks completely traumatized throughout the photoshoot.
Patterson looks as if something terrible just happened to him. The oxygen tanks facing him indicate that he’s in a lab-type facility.Pattinson looks particularly miserable in these pictures, as if he’s realizing he’s reached a low point in his life.The entry above is reminiscent of Marilyn Monroe’s famous series of pictures found in the book The Last Sitting. As explained in previous articles, Monroe is the prototype of Hollywood MK slaves. She died weeks after these pictures were taken.
Singer Melanie Martinez has been featured numerous times on this site because, nearly every time she releases something, it is replete with MK references (see my previous articles about her). She recently released a few songs with accompanying pictures, and the symbolism is unmistakable.
