Symbolic Pics of the Month 07/22

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from Vigilant Citizen:

In this edition of SPOTM: Brad Pitt in the most symbolic photoshoot in recent history; Beyonce celebrates her comeback by sitting on a horse and more proof that Hollywood is quickly spiraling out of anything resembling sanity.

Brad Pitt was recently featured in a GQ photoshoot and … wow … it’s a SPOTM 101 crash course. Everything is there. And then some. It is proof that even long-established, extremely wealthy, and universally adored celebrities must go also through the humiliating “industry slave” treatment to remain in good standings with the occult elite. It’s a sad site to see.

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On the cover of GQ, Pitt lies in some water with a creepy blank stare. He looks like a corpse. That picture immediately upset a whole lot of people.

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An example of the many headlines about that creepy picture.

In some ways, that picture of a dead Brad Pitt is appropriate. Because the entire photoshoot is about subjecting him to occult elite madness as he looks dead inside.

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This picture is all about Brad Pitt submitting to the occult elite. First, the fire creates a blatant one-eye sign. Second, Pitt there’s heavy makeup on his eye. This is done in accordance with the all-important gender-blurring agenda which requires to the feminization of men in media.

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Of course, Pitt wears a dress. All part of the forced humiliation of male celebrities who seek to remain in the proverbial spotlight.

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His face basically says: “I’m a 58-year-old man and I enjoy dignity. With that being said, WHAT THE HELL AM I WEARING?”.

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This pic is all about emphasizing one of his eyes. The message: He’s doing as he’s told to keep his career going.

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Yet another one-eye sign in this photoshoot. I left out other pics because I think we’ve all had enough of sad Brad Pitt, in what might be the lowest point of his career.

Speaking of the one-eye sign, it was, as usual, all over the place last month. Here are a few examples.

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Since acquiring Star Wars, Disney has been bleeding this franchise dry. The promotional posters of this new Star Wars thing are all about the one-eye sign. That’s Disney telling you that they’re completely sold to the elite’s agenda. And that you should cancel Disney+ now.

Speaking of streaming services catering to the elite’s agenda …

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Another month, another Netflix series that’s promoted using blatant one-eye signs. The upcoming series The Sandman will most likely be highly symbolic. I mean, one of the main characters is Lucifer himself.

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The Netflix series Squid Game was a celebration of the occult elite and its sick mindset. Netflix recently promoted the 2nd season of the series with, of course, one eye.

Demi Lovato is often featured in SPOTM because she’s a complete slave of the elite’s agenda. I’m sorry, I meant “they’re” a complete slave. Hold on. Sorry. She recently updated her pronouns again so we can now say “she” again without getting sued. What a relief. With that being said, her last album was called Dancing With the Devil, which aptly sums up her entire career. Now she’s back with a new album. And everything about its imagery is satanic.

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Satanic symbolism is based on the mockery and corruption of Christian symbolism. Here, Lovato lies on a (dirty) mattress shaped like a cross while wearing a BDSM outfit. That’s all about mocking crucified Jesus. The title of this mess is “HOLY FVCK”, which mixes Christianity and sexuality. There’s a drop of blood next to HOLY FVCK because there’s a blood sacrifice element going on here, which is also represented by her red outfit.

Speaking of witch (not a typo), Madonna was at Britney Spears’ wedding. That encounter was symbolic, and that doesn’t bode well for Britney.

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The 2003 ritualistic kiss between Britney (who was wearing a virginal white dress) and Madonna was her “initiation” in the industry. Shortly after, Britney descended into all-out MKULTRA hell. At her recent wedding, the Grand Priestess of the industry Madonna was summoned again and she kissed Britney again as she was wearing a ritualistic red dress. In short: Britney is not free.

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