The Conscious Resistance Network Presents: The Pyramid of Power Ep. 4 – The Hollywood-Military-Intelligence-Complex


by Derrick Broze, Activist Post:

The Conscious Resistance Network presents: The Pyramid of Power, a brand-new 16-part documentary series aimed at exposing the individuals and institutions which seek to manipulate our world.More details:

Our first attempts to understand the influence of various institutions and individuals on our world, has focused on the education system, the establishment media, and Big Tech firms. Each of these pieces of the Pyramid of Power have an immense influence on the minds and decisions of people around the world. However, no other institution may have the impact of the U.S. Film Industry.


As we outlined in Chapter 2, the U.S. intelligence communities have largely infected and influenced mainstream establishment media since the 1950s. This frightening trend continues with the relationship between the film industry and the U.S. military and Central Intelligence Agency.

In the early 20th century, film studios began centering their efforts around southern California in the area that would come to be known as Hollywood. From the outset, the U.S. Department of Defense and intelligence community developed an interest in using the film industry as a method for shaping public opinion. Some of the first collaborations between Hollywood and the U.S. military involved pro-World War 2 propaganda films like Winning Your Wings.

During WW2, the U.S. Office of War Information opened the Bureau of Motion Pictures to further their relationships with Hollywood. Between 1942 and 1945 this Bureau reviewed more than 1,600 scripts, and revised or abandoned projects that portrayed the U.S. government in a bad light.

According to Tanner Mirrlees, an associate professor of communication at Ontario Tech University, and author of Hearts and Mines: The U.S. Empire’s Culture Industry, the former head of the Office of War Information, Elmer Davis stated,

“The easiest way to inject a propaganda idea into most people’s minds is to let it go through the medium of an entertainment picture when they do not realize they’re being propagandized.”

Other historic examples of propaganda in film include the John Wayne film The Green Berets. The film was made after Wayne personally requested U.S. President Lyndon Johnson help him make a propaganda film about the Vietnam war. The Pentagon not only provided access to equipment and military bases, but they also retained final script approval. Most disturbing is the fact that the film depicted the North Vietnamese committing violent atrocities which in reality were committed by American soldiers. This is yet another example of the U.S. government and Hollywood shaping reality for the ignorant mass consumer.

The U.S. military is not the only government agency to develop a close relationship with Hollywood. From its founding in 1947, the U.S. CIA was involved in shaping the direction of films in a way that portrayed the agency in a positive manner or sought to remove negative associations. The CIA’s predecessor, the Office of Strategic Services, or OSS, had already developed a knack for Hollywood films that glorified the work of the agency with films like O.S.S. and Cloak and Dagger.

After WW2, the Department of Defense developed the first “Entertainment Liaison Offices” to act as conduits for U.S. government messaging to Hollywood studios. The CIA did not publicly establish a similar office until 1996. Much of the partnership between Hollywood and the government centered around authorizing the use of military locations and access to equipment, in exchange for giving the government some level of control over the final scripts.

Researcher Tom Secker uncovered a 1958 memo on “Films for Counterintelligence Training” involving screenings of the films, The Man Who Never Was and Walk East on Beacon. The memo makes it clear that some of the Hollywood films were being used to train new recruits.

Secker has also helped reveal other astounding connections between the entertainment industry and the intelligence community. In 1996, a CIA officer named Chase Brandon was hired to work directly with Hollywood studios to rehabilitate the agencies image. Chase Brandon is also the first cousin of actor Tommy Lee Jones.

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