from Vigilant Citizen:
Madonna introduced her fans to a new persona named Madame X – a “secret agent who changes personalities”. We’ll look at the imagery surrounding Madame X and at the occult meaning of the video Medellín.
To exemplify this fact, most of her public appearances are imbued with a ritualistic and ceremonial dimension.
Madonna is well aware of the ritualistic meaning behind her performances. Prior to her 2012 Superbowl Half-Time performance, Madonna told Anderson Cooper:
“The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”
And, yup, that performance was “impactful”.
In 2019, at 60 years old, Madonna is still at it. While her fans like to gush about how Madonna keeps “reinventing herself”, her act is actually quite consistent: It is actually 100% based on the occult elite’s current agenda, combined with an attempt to remain relevant by associating with young and popular artists.
Case in point: Her new album Madame X. Indeed, everything about this album is pure occult elite agenda as it clearly revolves around the dark world of Monarch programming. And, to stay relevant, Madonna recruited Colombian reggeaton star Maluma to dance around her.
Here’s a look at the symbolism surrounding this new thing she did.
Madonna’s new alter-persona Madame X is described as a “secret agent who changes identities”. And, unsurprisingly enough, this is all about MKULTRA. The name itself relates to the lack of a core personality.
To introduce her fans to her new alter-persona, Madonna released a short video titled Welcome to the World of Madame X. This 59 seconds-long video managed to pack a whole lot of obvious MK symbolism.
The video begins with Madonna saying:
“Madame X is a secret agent traveling around the world, changing identities, fighting for freedom, bringing light to dark places”.
It should be noted that one of the actual goals of project MKULTRA was to create spies and secret agents who changed identities through triggers. “Fighting for freedom and bringing light to dark places” is basically code for saying “doing the occult elite’s bidding”.
Madonna then lists her various “identities”:
“Madame X is a dancer, a professor, a head of state, a housekeeper, an equestrian, a prisoner, a student, a mother, a child, a teacher, a nun, a singer, a saint, a w—e …”
Here, Madonna alludes to various kinds of programming, including Beta Kitten programming (a w—e).
While she says these words, the viewers are treated to various images that directly point to Monarch programming.
All of this obvious imagery sets the stage for Madame X’s single Medellín. The song and video prominently feature Maluma, a reggaeton artist from Colombia who is extremely popular with young people. In other words, he’s a perfect recruit for the Grand Priestess of the industry.
The video begins with a prayer that is all about Monarch mind control.
How can I trust anyone after years of disappointment and betrayal? How could I not want to run away? Again and again … Escape … I will never be what society expects me to be … I’ve seen too much … I cannot turn back … I have been kidnapped, tortured, humiliated and abused”.
That last sentence sums up trauma-based mind control – the basis of Monarch programming. Slaves are kidnapped to then be tortured, humiliated and abused to force dissociation.